It also has a nice graph that can be controlled to zoom in on exactly what you want to do. It has five bands and controls for gain, frequency, and Q for each.
The configuration of the plug-in is easy to follow and just about as straight forward as a parametric EQ can get. The Sony Oxford EQ native was easy to install as I had no compatibility issues with my computer and setup. If you want to try something different or want something fresh.maybe a challenge, then this is a cool vst. I'm curious what else they have even though this one wasn't really my style. I haven't tried other Sonnox plugs but I want to soon. But the controls ended up giving me a headache. When I got it dialed in, it sounded good. I will say I can't knock the sound quality.
Maybe I'm used to certain EQ styles but this one wasn't for me. I spent a few hours trying to get the hang of it and just couldn't. They're pretty involved, and from the get go I was a little lost to be honest. And the controls aren't like anything I've ever seen on an analog compressor. It doesn't "respond" or sound analog at all. First of all, there's nothing analog about this plugin. And just from looking at I can tell it's not going to destroy my track's quality. The Oxford EQ first of all, is very light on CPU. I was previously using a Waves plug for EQ and didn't like it much. I had been asking if he knew of a good dedicated and light EQ. Sonnox stuff is at a pretty high level of function. No problems getting mine to work in Cubase 5.
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